Acrylic Painting Tip #2: The Advantages of Princeton Catalyst Polytip Brushes (A Hog Hair Alternative for Acrylic Painters)

When searching for the perfect acrylic painting brush, artists often face a trade-off between the traditional feel of natural hog bristles and the durability of synthetics. The Princeton Catalyst Polytip brushes solve this dilemma. Designed with advanced synthetic fibers that mimic the natural flags of hog hair, these brushes combine strength, precision, and responsiveness—making them a favorite among both acrylic and oil-style painters. Whether you’re layering impasto textures or blending delicate glazes, Polytip brushes offer the control and resilience modern artists need. Personally, I rely on them in both plein air painting sessions outdoors and longer, detailed studio work, and they perform beautifully in both settings.

What Makes Polytip Brushes Unique?

Princeton Catalyst Polytip brushes are made with synthetic fibers that are split at the tip, mimicking the natural flags found on hog bristles. This gives them a similar texture and responsiveness to natural hair while providing extra durability. The split tips increase the surface area, which means these brushes can:

  • Hold more paint for longer, consistent strokes.
  • Release paint evenly, without leaving streaks.
  • Mimic the stiffness and spring of hog bristles, perfect for thick acrylic or oil-like applications.

Advantages for Acrylic Painters

  1. Durability – Unlike hog hair, which can break down quickly in water or under the harsh polymers in acrylic paint, synthetic Polytip fibers hold up over time. They resist fraying and keep their shape even after heavy use.
  2. Versatility – Whether you’re working with heavy body acrylics, gels, or pastes, these brushes handle thick textures beautifully. They’re also great for blending and glazing.
  3. Natural Feel Without the Downsides – If you’re used to oil painting and love the feel of hog bristles, Polytip brushes offer a nearly identical tactile experience, but with none of the shedding, water damage, or stiffness loss.
  4. Cost-Effective – Synthetic brushes are generally more affordable than high-quality natural bristle brushes and last longer when used with acrylics.

The Bottom Line

Princeton Catalyst Polytip brushes bridge the gap between the traditional and the modern. They give acrylic painters the feel and control of a natural hog hair brush but with the resilience of synthetic fibers. If you want a brush that lasts, performs, and feels like the classics, Polytip brushes are an essential addition to your studio.

Acrylic Painting Tip# 1: use acrylic medium to create washes instead of water

“Fried Egg on Oat Nut Toast”, 8″x6″, acrylic on canvas panel by Francisco Silva

This tip only applies when painting on surfaces that are gessoed.

It seems natural to use water to create thin, transparent layers of color while painting with acrylics, especially when creating an underpainting. Unfortunately, adding too much water will break down the acrylic binder that holds the pigment together. What this means is that, over time, the paint will detach (or flake off) from the surface. The general rule is to use a maximum of 30% water to 70% paint. To create thin layers, I use an acrylic airbrush medium instead. This gives me the transparency I would normally get with water without weakening the paint. Additionally, the airbrush medium’s viscosity is similar to that of water, making wash effects easier.

In the example above, I used thin washes on the table, background as well as the egg.

Experimenting with Acrylic Paints

Peanut Butter and Jelly on Oak Nut Break, 8″ x 6″, acrylic on canvas panel by Francisco Silva

I’m currently experimenting with acrylic paints with the intention of using them for plein air purposes. I believe acrylic’s quick drying time will work better with my paint layering technique as compared to oil paints. Since it’s still cold here in New Jersey, I’m creating small, 6″ x 8″, indoor paintings of food to test out my technique and work resolve any issues I may encounter with the medium. Additionally, these food-themed paintings have taken on a life of their own.

I’ll be posting my progress here as well as any tips or pitfalls that I run into.